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 Perform, Study and Be Seen! We offer game-changing studios like:
"You're Already Fabulously Interesting. The question is: How to allow yourself to express it? " Yes, it's the DEA agent from Showtime's Weeds. He also is a graduate of the Juilliard School, and the Artistic Director of Circus Theatricals. This advanced studio is for professional actors who work, study, and work again. For the advanced, professional actor.
Refine your on camera skills and audition technique. Book the job, and get hired again! Learn from a guy with over 100 TV/Film credits!
Create an organic, grounded and compelling performance...every time. Elise is also an award-winning director of theatre, TV, and film!
Free yourself! Relax, concentrate, & develop your imagination through scene study, exercises and improv. Jordan has appeared in over 100 plays & 75 films and television shows. 10 weeks - Sundays 2-5pm On the east coast John is a faculty member of New York University's Tisch School of the Arts, Classical Studio and served as a Directing Fellow at The Juilliard School - Drama Division (03-05). He is also the Founding Artistic Director of the Award Winning Not Man Apart - Physical Theatre Ensemble which has toured both nationally and internationally. In this unique and transformational class, students will work on a variety physical approaches to performance. Students will gain: Higher levels of presence and confidence - Better understanding and command of their instrument - Increased flexibility and conditioning - Greater emotional access - Stronger ability to create unforgettable characters - Physical Awareness of self, others, space and surroundings. |
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Watch the TITUS REDUX promo!
READ THE TITUS REDUX ARTICLE
PRAISE FOR TITUS REDUX Los Angeles Times “An impassioned critique of the domestic legacy of the wars in Afghanistan and Iraq.” “The show's telescoping of Shakespearean ancient Rome into troubled 2010 America aims for something bigger than topicality or political commentary.” “Intricately Choreographed.” “Extensive use of Video and Dance heighten the impact.” “The Delivery of Stehlin, Strong and London, ensures the poetic resonance.” Hollywood Reporter “Dynamic, experts at athletic outbursts of energy” “continues John Farmanesh-Bocca's use of Shakespeare as a lens on the West's abuse of power.” Titus is nothing less than a tragic hero, and Stehlin projects the pain of every gut-wrenching blow he is forced to witness and assist. When the two living sons (Dash Pepin and Vincent Cardinale) galumph around the stage, the whole cast moves with them. When the mother (Brenda Strong) flies across the stage like Wonder Woman, her movement catches the cast in her updraft. “Nicholas Hormann as the old retainer brings a wonderful kind of fragile warmth to the proceedings. Farmanesh-Bocca as a one-man Greek chorus adds an unsettling mix of menace and dignity. Margeaux L. London as the raped, pillaged and mutilated daughter sings a painfully wordless aria of unanswered cries for release from life.” VARIETY “Stehlin brings a weathered confidence to Titus when he is depicted on battlefields and as a model member of the army both on film and in live action.” “Nicholas Hormann provides an unwavering support system as Marcus Andronicus, grounding his character in Shakespearean tradition. Brenda Strong, too, lifts Tamora when speaking in olde English, as her distaste for her husband rules her every move.” “(Farmanesh-Bocca’s) greatest strength as a visual conceptualist is as a choreographer, judging by the scenes that bring power to the "Titus" core. Altercations -- both realistic and surreal -- are his forte.” LA WEEKLY – “GO!” “Each of the elements under Farmanesh-Bocca's often wild direction offers vividly exciting moments.” “The talents of seven fine performers are glorious, particularly Stehlin's powerful portrayal of pride crumbling into madness.” BACK STAGE – “CRITIC'S PICK!” Redux, indeed. Shakespeare's "Titus Andronicus" is modernized and retold weaving in strands of the original in this inventive work conceived, choreographed, and directed by John Farmanesh-Bocca and incorporating his films that enhance and fit seamlessly into the story. This is Farmanesh-Bocca's piece (he also designed the sound with Adam Phalen), but there's no trace of his ego anywhere. He has turned the starring role over to Jack Stehlin, who makes Titus a stiff-backed soldier and a grade-A wacko. Stehlin is as gifted with the production's Shakespearean text as he is with the dance-combat, the comedic moments on film, and the silent moments of impending insanity. Opposite him, Farmanesh-Bocca's well-drawn Aaron is merely a sweet dad with one of those inevitable crushes on his neighbor's wife. LAist “dizzying theatricality “ “the fight scenes are truly exciting to watch, and Titus’s progressive descent into madness is downright chilling.” “The occasionally startling sound and lighting effects of design team John Rousseau, Adam Phelan, and Jason Collins add fireworks to the evening.” - Movies, Music, Mayhem **** Jack Stehlin and Brenda Strong shine in Titus Redux **** "whether you are a Shakespeare lover or a theatre gumshoe, you would do well to see this performance. Utilizing dance, film, indie rock and contemporary jargon to re-tell the sordid tale, Titus Redux is a brave, brazen and at times hilarious re-imagining of William Shakespeare’s bloodiest play, Titus Andronicus. " StageSceneLA.com "thrilling end-of-summer theatrical extravaganza"
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| Circus Theatricals is supported in part by the Los Angeles Arts Commission Home | About Us | Theatre | Film | Classes | History & Past Productions | Season | Artists & Staff | Playwrights | Circus Theatricals / PO Box 586 Culver City, CA 90232 310-701-0788 info@circustheatricals.com |
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